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Saturday, June 06, 2009

"Spoked!": An art show for bicycle fans

The Soulard Art Market and Contemporary Gallery is calling for submissions to “Spoked!” a juried exhibition of local artists. Exhibition runs from Sept., 4 through October 2. S.A.M. is looking to represent a select group of artists in our Contemporary Art Gallery, to exhibit alongside our 15 resident artists.

Here's what the gallery has to say about the event: "In conjunction with the Tour of Missouri, which is a world-class cycling event, we are proud to announce our exhibition “Spoked”. We are seeking artworks that feature bicycling as a theme for inclusion in our show. Our gallery is on the race route, and we have special hours and events planned that are sure to draw a crowd. The eyes of the world will be looking our way and we’re gearing up for the liveliest show this town has seen. Get crankin’!"

The gallery looking for any medium of artwork (painting, photography, sculpture, jewelry) that in any way features bikes or cycling. There is no submission fee, and full details can be found at the event's Web site.

Artists are being asked to consider donating bicycle-themed artwork to a charity silent auction. All proceeds will go directly to the Big Brothers Big Sisters Amachi program which assists children of incarcerated parents. Each artist who donates an artwork valued greater than $100 to the auction will have his name entered into a drawing to receive 2 tickets (value $500) to the Tour of Missouri Gala, a black tie affair presenting the best 125 cyclists from around the world. The auction as well as the gala will be held on Sept. 6 at the City Museum.

The gallery is located 2028 S. 12th St. in St. Louis and is on the course for Stage 1 of the Tour of Missouri on Labor Day (Sept. 7).

At left is a piece I'm considering entering in the contest. It's called "Night Ride, Without Lights, in Southern Illinois." Click on the image to see a more detailed view! The inspiration for this piece is the piece "Midnight on the Ocean" featured in The Three Stooges film "Pop Goes the Easel."

I'm sure you can do better!

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Roger 1 comments links to this post 12:11 PM

Wednesday, February 13, 2008

TeresaParod.com

Burmese Temple, copyright Teresa ParodMy older sister, Teresa Parod, unveiled her new Web site tonight, with a URL of -- appropriately enough -- TeresaParod.com.

Teresa, an Evanston, Ill.-based artist and art instructor, has posted many examples of her oil paintings and drawings on her site.

Teresa has visited 31 countries on 5 continents, far outdoing her younger brother, who has only visited 3 countries on 1 continent. But I least I can say I've bicycled in more states and Canadian provinces than she has!

Her vast travels have influenced her work, as indicated by the painting shown at left, "Burmese Temples." But she also draws from influences closer to home, such as the Howard Street EL Station in Chicago and the Amtrak trains that pass the farms of central Illinois as they cruise between Chicago and St. Louis.

Teresa's travels to Indonesia influenced her to join the Indonesian Performing Arts Group in Chicago, and she has danced in many of the group's shows.

Some of Teresa's bicycling adventures are chronicled on this site, her 1985 trek on the Bicycling the Magnificent Miles of Illinois -- the first weeklong trip Teresa and I ever did -- and her 2004 trek with her two children, Julius and Sereana, on the West Shoreline Tour in Michigan. Teresa and Julius are planning to ride Bike Virginia this year, but I won't be able to join them this year.

Wesley, copyright Teresa ParodI feel blessed to have had two gifted artists in my family -- Teresa and my late brother, Wes Kramer, shown in Teresa's drawing at left. My younger sister, Karen Brooks, also can draw rather well, although she didn't pursue a career in the arts. While I cannot draw or paint as well as Teresa does or Wes did, I feel fortunate that God gave me enough of an artistic eye to take photos, design newspaper pages and create Web sites.

At least one of my friends have marveled how artistically influenced we were for being the children of a steelworker. Well, my late father, Henry "Gene" Kramer may have toiled for years as a blue-collar worker and on the family farm near Brighton, Ill., but he frequently drew and occasionally painted. My grandmother, Bertha Kramer, also was quite a prolific artist. They, however, did not have the opportunities that Teresa, Wes and I had. Even my mother, Jean Kramer, who often complained about not being able to draw, has an artistic eye. I remember a photo she took of a tree during the fall and how well-composed it was, even though she had never received formal education in the Rule of Thirds or other aspects of formal composition.

I hope you'll take the time to visit my sister's Web site and enjoy her work. I'm also grateful she included a link to my site, and I will insert links to her site on the BAMMI and Shoreline pages.

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